MY SUBMISSION TO THE CANADIAN COPYRIGHT CONSULTATION 2009
My name is Ian Kerr. I am a Full Professor at the
University of Ottawa, where I hold a four-way appointment in the Faculties of
Law and Medicine, the Department of Philosophy and the School of Information
Studies. In 2001, I was awarded the Canada
Research Chair in Ethics, Law and Technology, the mandate of which included
the study of digital copyright reform. This Chair was renewed in 2005. I was
also the Principal Investigator of On the
Identity Trail, a four-year Collaborative Research Initiative, which
received one of the largest ever grants from the Social Sciences and Humanities
Research Council and also included as part of its mandate an investigation of
the privacy/identity implications of digital copyright.
I have been a participant in copyright reform issues for
many years. In 2003, I conducted a pair of studies for the Department of
Canadian Heritage addressing a range
of policy considerations associated with the use of technological protection
measures (TPMs) as a means of extending copyright in digital environments.
These studies investigated the various policy choices implicated in the
decision to provide legal protection to TPMs in the context of Canadian
copyright law. I determined that TPM protection was unnecessary and excessive,
risking several unintended consequences that would undermine copyright’s
delicate balance. In 2005, I published Canada’s first study of the privacy
implications associated with the anti-circumvention provisions set out
in Bill C-60 (Canada’s first legislative attempt in response to the 1996 WIPO
treaties), provisions that aim to protect the copyright industries from
individuals using devices to circumvent technological protection measures
(TPMs) and digital rights management systems (DRM). I determined that the proposed
anti-circumvention laws fail to adequately address any aspects of the privacy
implications of DRM, despite the obvious privacy threats that automation,
cryptographic techniques, and other DRM technologies impose. More recently, in
2009, I co-published an investigation of the Canadian copyright litigation in
which the recording industries sought to compel
disclosure of the identity of defendants alleged to have participated in
peer-to-peer file sharing. I found that such disclosure is inappropriate in the
circumstances and requires a much higher threshold of proof of wrongdoing. In
addition to the above-mentioned studies, I have published a number of other
academic and popular press articles relating to copyright and have appeared
before Parliamentary Committees and in several Canadian documentaries on the
subject.
Having had the opportunity to contribute my views on these subjects in public
fora and easily and freely available academic publications (iankerr.ca), my
response to the questions raised in the consultations will be (relatively)
brief. Like my colleague Michael Geist, I am hopeful that this consultation will
be viewed as merely the beginning of an ongoing effort that provides all Canadians
with the opportunity to register their views through an open, comprehensive
committee process for both domestic and international copyright laws.
Finally, the remarks offered in this submission are made in
my personal capacity as a Canadian who has a number of serious concerns about
the future of Canadian copyright law.
1. How do Canada’s
copyright laws affect you? How should existing laws be modernized?
Copyright laws affect me in exactly the same way that they
affect every individual who lives in Canada. All of us depend on access to a broad
array of information to live our daily lives. Since copyright law permits
copyright owners to limit our access to that information during the term of the
copyright, all Canadians depend on copyright law to carve out a broad and
flexible set of user rights, exceptions, and exemptions in order to strike an
appropriate balance. To date, no such balance has been achieved. Largely on the
basis of mistaken assumptions about the risks posed by digital networks and the
false assumption that the copyright industries must preserve and maintain
traditional business models at all costs, both of the previously proposed
copyright reform bills overprotected copyright owners at the expense of sufficient
balancing provisions needed to protect Canadians from excessive control on the part
of copyright owners. The Supreme Court of Canada has recognized that excessive
protection afforded to copyright owners would do as much harm as providing no
protection. This obvious truth, which is recognized in the very fact that
copyright exists only for a limited duration, was not adequately contemplated
in either of the previous bills. As a citizen, I depend on copyright’s delicate
balance. There is no point in having a flourishing private sector and a world
leading digital economy if it does not redound to the benefit of all Canadians.
In fact, it would be impossible to truly lead without balanced legislation.
Copyright law also affects me in ways that it does not
affect all other Canadians. As a professor, I am also an author and creator.
Much of my labour is aimed at producing books and other works subject to
copyright. Like other creators, I rely on copyright to generate sufficient
demand for my books to enable me to negotiate with publishers to produce those
works and share royalties with me. As a writer, copyright provides part of my incentive
to create. Because I am a professor (rather than a fulltime author), I am
fortunate not to depend entirely on this process to earn a living. As such I am
perhaps more tolerant of copyright breaches than other creators would be.
Certainly this is true in an educational context, where I would be more willing
than my publisher to allow students access to my work if they did not have the
means to pay.
In any event, as an author and creator, I recognize that the
traditional approach to copyright enforcement as practiced by the recording
industry and other copyright maximalists is no longer appropriate in a digital
age. And, I have put my money where my mouse
is. My most recent book—which sells for more than $100—is freely available online
under a creative commons licence so that anyone using the electronic version
for non-commercial purposes with attribution can download it in its entirety.
This decision resulted in more downloads on the first day of its launch than
its entire print run. Not surprizingly, more copies of the book will be sold
using this model than through the traditional approach. The publishing
industries are slow to realize this. Alternative copyright models such as the
creative commons licence I described provide one means of modernizing copyright
law, better suiting the needs of copyright owners than an “all rights reserved”
approach. There are a number of other things than must be done in the
legislative context to modernize copyright law that will be mentioned in
response to some of the other questions posed in this consultation.
2. Based on Canadian
values and interests, how should copyright changes be made in order to
withstand the test of time?
The concern that motivates this question is that law and
policy are perceived as forever out of step with the rapid pace of
technological development. To some extent, this concern is overblown. As our
Supreme Court has recognized, we do not simply eschew fundamental values in the
face of new technological developments. The difficult challenge is to develop a
framework that is not only flexible but, at the same time, firmly anchored around
a core set of principles that is not subject to change alongside technology’s flavour
of the week.
To take an example, the problem with the WIPO 1996 approach to
copyright adopted in both of the former proposed legislative regimes is that it
was premised on the TPM/DRM technologies of the day. The better approach would
have been to adopt a set of principles that reflect longstanding values and
develop a framework around them. (For example, unlike the WIPO
anti-circumvention provisions, the CSA Fair Information Practice principles
that form the basis of our federal sector privacy laws are easily adapted to
new and emerging technologies.)Although “technological neutrality” will not solve all of the challenges
associated with regulating disruptive technologies, the undue emphasis on
digital rights management as the panacea of copyright and the excessive
protections afforded to those technologies circa 1996— without proper counter-balances—has
led to dangerous legislative proposals that would most certainly not achieve
the objectives set out by the Ministers in this consultation.
I maintain my longstanding belief that anti-circumvention and
anti-device provisions are unnecessary in Canada. At the same time, I realize that
there is incredible pressure on the Government of Canada to adopt such
provisions. While I do not believe that such pressures should win the day, if
the Government wrongly decides to sway to such pressure, the anti-circumvention/device
provisions must be narrowly tailored to acts of copyright infringement. Many
acts of circumvention and devices that could be used to circumvent also have
non-infringing uses. It will be difficult if not impossible to provide a
balanced approach to copyright by introducing para-copyright protections such
as these. It will also be difficult if next to impossible to achieve short or
long-term balance through such models. Such a legislative approach would be
akin to regulating the discussion on Twitter
by banning FaceBook.
One example of a regime that would better withstand the test
of time is the “fair use” doctrine. The current Canadian approach (“fair
dealing”) is far too narrow and is based on overly specific circumstances.
Instead of revising the fair dealing provisions in a technology-specific manner
that happens to align with today’s digital technologies, a “fair use” approach
based on a more flexible framework of principles that befit the values of a
balanced approach to copyright would go a long way. I would recommend that we
adapt a fair use model.
3.The Other Questions
The other questions raised in this consultation all centre
around suggested means of improving innovation and creativity, competition and
investment, and the leadership role for Canada in a global digital economy.
In my mind, perhaps the most important reform in many of
these areas pertains to End User Licence
Agreements (EULAs). EULAs are all to often used to usurp copyright’s balance
in favour of copyright owners. As I have said in my published writings, “End
user licences are becoming the rule and content providers the rulers. With
increasing frequency, the terms of these licences are used to override existing
copyright limitations.” If a significant aspect of the Copyright Act is to balance the rights of owners alongside the
rights of users, specific limitations on the scope of EULAs must be adopted. I
have discussed how to go about this in my published work.
There are many other issues that need to be addressed. Having
followed the submissions to date, there are a number of other suggestions
already made that I would adopt in addition to the above suggestions, including
the following:
·adopt a notice-and-notice approach for ISPs
·do not lengthen the term of copyright
·create additional rules that foster and strong
public domain
·establish a “good faith” defence in parallel
with a workable “fair use” doctrine
·establish a defence for private, non-commercial
use
·add a parody exemption
·reject the three-strikes approach
·modernize exemptions for back-ups and other
archiving techniques
Since the reasons for each of the points enumerated above
have been carefully discussed in other submissions, I will not discuss them
further here.
It seems fitting, as an author, to end my submission with
some of my own recent writing. What follows is an opinion editorial that I have
written specifically with this consultation in mind.
Copyright law
in the age of the Kindle
A little over a year ago, in one of the most important
privacy cases ever heard by the Supreme Court of Canada, Justice Ian Binnie
sought to allay concerns that we are sleepwalking into a surveillance society
with the following remark: “On these occasions, critics usually refer to
‘Orwellian dimensions’ and 1984, but
the fact is that 1984 came and went without George Orwell’s fears being
entirely realized, although he saw earlier than most the direction in which
things might be heading.”
Like most judicial pronouncements with staying power, I
still haven’t quite figured out what he meant by this.
Was the judge simply saying that the worries expressed by privacy
advocates are sometimes overblown? Or was his clever, lawyerly use of the word
“entirely” a tongue-in-cheek expression of genuine concern?
Either way, Justice Binnie’s remark has caused me to wonder
what it would take to say that
Orwell’s fears are “entirely
realized”.
I am guessing the threshold must be rather high.
After all, Orwell conjectured about a world that even David
Lynch would agree is wild-at-heart-and-weird-on-top. It wasn’t just about big
brother, doublethink or the telescreen. There was also that crazy stuff about
the “Ministry of Truth” and its ability to make information appear and
disappear on a whim. As Orwell described it:
This process of continuous
alteration was applied not only to newspapers, but to books, periodicals, pamphlets,
posters, leaflets, films, sound-tracks, cartoons, photographs — to every kind
of literature or documentation which might conceivably hold any political or
ideological significance. Day by day and almost minute by minute the past was
brought up to date.
Powerful stuff, 1940s science
fiction is.
Skip-forward exactly 60 years to
the summer of 2009.
There I was on a perfect July
day at the Universitat de Barcelona,
about to launch into my first lecture on Isaac Asimov’s “Laws of Robotics”. Just before doing so a law student
form Puerto Rico interjected, asking me about the device that I was using to
read my lecture notes.
“Its called an iLiad ”, I told
her.
“Is that the same thing as a
Kindle?” she asked, referring to Amazon.com’s increasingly popular e-book
reader.
“Nope,” I
said. “Apples and Oranges. The Kindle was designed first and foremost as a
distribution vehicle for Amazon books, so its architecture is a proprietary
system that uses digital rights management (DRM) to tether the downloaded
content to the device, preventing copies from being easily made or transferred
to other readers or machines. My iLiad, on the other hand, is an open source
device that uses a Linux operating system, allowing anyone with know-how (not
me!) to tinker with it and to create applications that improve its
functionality for the broader community of users. I didn’t buy my e-reader to
download and consume popular novels. I chose the iLiad because it allows me to
access a broader range of research documents not to mention greater control
over the information stored on my device.”
It never
really occurred to me at the time just how central my somewhat geeky response
to that seemingly random question would be to the course itself, with its lofty
ambition of examining how our philosophical conceptions of the law and our
corresponding policy approaches change in the face of autonomic computing and
robotics.
My lecture
that day was an introduction to Asimov’s brilliant idea that we can mitigate
people’s fears about robots (the “Frankenstein Complex”) by programming the
machines to “obey” certain rules. In essence, his three “Laws of Robotics”
provided a system of automated permissions for what people could and could not
do with robots. Instead of developing rules of human conduct and imposing them
on people (as law and morality seek to do), the “Laws of Robotics” were rules
designed by humans but programmed directly into the machines. For example, if a
human tried to get a robot to injure another person or steal her books, the
robot would shut down, refuse or otherwise render itself incapable of carrying
out the command. It wasn’t easy to convince or trick the robot into wrongdoing.
The robot’s positronic brain was hard-wired to do no evil.
Not
surprisingly, my students loved thinking about the law and
rule-following/rule-breaking behaviour through the lens of Asimov’s adorable
robots—Speedy, Robbie and George-10. The challenge, of course, was to get
them to see that Asimov’s approach is by now as much science fact as it is
science fiction.
As though by divine providence, a teachable moment was
delivered by the Google Alerts robot to my inbox on the morning of my second
lecture. Reports were starting to circulate that Amazon had auto-deleted copies
of George Orwell’s 1984 and Animal Farm from law-abiding Kindle
owners. According to the news reports, Amazon mistook a “no” for a “yes”
regarding the publisher’s decision on
e-books. Fearing serious sanction from the copyright owners after selling many
e-copies, Amazon capitulated. Using its robotic powers to trespass within the
digital libraries of all Kindle customers, Amazon electronically “seized”
Orwell’s books. It was a classic Orwellian moment—with one
mouse click, the Ministry of
Truth expunged the offending material without notice or permission,
rectifying a mistaken past by replacing it with a perfected present.
Given that
the driver of this news item was copyright, I sent my students the story and
asked them to think about how automation technologies will change the way we
think about copyright law.
It didn’t
take long for some of them to point out that the Kindle’s DRM shifts the
balance between the owner’s ability to control and the customer’s ability to
access or use a work subject to copyright. Even though the end user licence for
the Kindle suggests that once you “purchase” an e-book its yours, and even
though the copyright in 1984 expired
in Canada and several other countries back in 2000 (putting the work back into
the public domain), Kindle owners found out the hard way that human laws can be
superseded by robotic laws. The Kindle-1984 SNAFU made it perfectly clear that,
marketing aside, electronic books arenot the same as paper ones. DRM can
be used to change the rules.
As teachable moments go, all of this timed
rather nicely with the current events accompanying our third day of class. On
July 20, Canada’s Ministers of Industry and Canadian Heritage and Official
Languages jointly launched nationwide consultations to solicit Canadians'
opinions on copyright reform. Specifically, they expressed an interest in
knowing how Canadians are affected by copyright laws, how these laws should be
modernized in harmony with Canadian values, what reforms would best foster
creativity, innovation, competition and investment, and what kind of changes to
the law would best position Canada as a leader in the global digital economy.
Although
there is a longer story to tell here that is told much better by my brilliant
colleague Michael Geist (speakoutoncopyright.ca), suffice it to say that the
previous and current approach to copyright reform is misguided. The previous
Liberal government tabled Bill C-60, which followed the US approach by
including an “anti-circumvention” provision. This approach makes it illegal for
you to circumvent or otherwise alter the robotic laws that permitted Amazon to
auto-delete 1984. The Conservative
government followed suit with Bill C-61, which would have given even greater
protection to DRM. It too died on the order page when the first Harper
government fell. Finally, two new Conservative Ministers are reconsidering
these issues under the current copyright consultation.
During all
of this, Jeff Bezos, CEO of Amazon, has been groveling to his consumer base,
admitting that its actions were “stupid, thoughtless, and painfully out of line
with our principles.” He promised that Amazon would “use the scar tissue from
this painful mistake to help make better decisions going forward.”
What he
didn’t promise was to remove the DRM or re-write its robotic laws so that The
Ministry of Truth’s auto-delete functionality is no longer possible. As Cory
Doctorow points out, Amazon also won’t tell us much about whatever else is
lurking in the Kindle.
I am
uncertain whether any of these events meet Justice Binnie’s threshold for
genuine Orwellian concern.
What I do
know is that copyright 101 is forever changed. Copyright law in the age of the
Kindle is no longer merely about ownership of the means of (re)production. It
is also about access to knowledge, personal privacy, the citizen’s right to
read anonymously and the consumer’s right to control the devices that she owns.
When the
Ministers complete their copyright consultation on September 13th
and begin to draft new laws projected for the spring of 2010, I hope that they
recognize the power of the laws of robotics, reject an approach that would
enable The Ministry of Truth, and offer-up a legislative regime that truly
balances the copyright owners interests with the rights of citizens, as twice
promised.
Yours very
truly,
Dr. Ian Kerr
Canada
Research Chair in Ethics, Law and Technology